Books with author Marie Corelli

The old by-road went rambling down into a dell of deep green shadow. It was a reprobate of a road,—a vagrant of the land,—having long ago wandered out of straight and even courses and taken to meandering aimlessly into many ruts and furrows under arching trees, which in wet weather poured their weight of dripping rain upon it and made it little more than a mud pool. Between straggling bushes of elder and hazel, blackberry and thorn, it made its solitary shambling way, so sunken into itself with long disuse that neither to the right nor to the left of it could anything be seen of the surrounding country. Hidden behind the intervening foliage on either hand were rich pastures and ploughed fields, but with these the old road had nothing in common. There were many things better suited to its nature, such as the melodious notes of the birds which made their homes year after year amid its bordering thickets, or the gathering together in springtime of thousands of primroses, whose pale, small, elfin faces peeped out from every mossy corner,—or the scent of secret violets in the grass, filling the air with the delicate sweetness of a breathing made warm by the April sun. Or when the thrill of summer drew the wild roses running quickly from the earth skyward, twining their stems together in fantastic arches and tufts of deep pink and flush-white blossom, and the briony wreaths with their small bright green stars swung pendent from over-shadowing boughs like garlands for a sylvan festival. Or the thousands of tiny unassuming herbs which grew up with the growing speargrass, bringing with them pungent odours from the soil as from some deep-laid storehouse of precious spices.

Mary Corelli (1855-1924), was a British novelist. She began her career as a musician, adopting the name Marie Corelli for her billing. She gave up music, turning to writing instead and in 1886 published her first novel, A Romance of Two Worlds. In her time, she was the most widely read author of fiction but came under harsh criticism from many of the literary elite for her overly melodramatic and emotional writing. A recurring theme throughout Corelli's books was her attempt to reconcile Christianity with reincarnation, astral projection and other mystical topics. Her books were a very important part of the foundation of today's New Age religion. Amongst her works are Vendetta: A Story of One Forgotten (1886), Thelma (1887), Ardath: The Story of a Dead Self (1889), Ziska (1897), and The Master-Christian (1900). She is also the author of Temporal Power: A Study in Supremacy (1902), God's Good Man: A Simple Love Story (1904), and The Secret Power (1921).

The Sorrows of Satan is an 1895 faustian novel by Marie Corelli. It is widely regarded as one of the world's first bestsellers, partly due to an upheaval in the system British libraries used to purchase their books and partly due to its popular appeal. Roundly condemned by critics for Corelli's moralistic and prosaic style it nonetheless had strong supporters in Oscar Wilde and various members of royalty. Widely ignored in literary circles, it is increasingly regarded as an influential fin de siècle text. The book is occasionally subtitled "Or the Strange Experience of one Geoffrey Tempest, Millionaire".

Lang:- eng, Pages 388. Reprinted in 2015 with the help of original edition published long back[1918]. This book is in black & white, Hardcover, sewing binding for longer life with Matt laminated multi-Colour Dust Cover, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, there may be some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. (Customisation is possible). Hope you will like it and give your comments and suggestions.Original Title:- The young Diana; an experiment of the future 1918 [Hardcover] Author:- Corelli, Marie,

The Sorrows of Satan is an 1895 faustian novel by Marie Corelli. It is widely regarded as one of the world's first bestsellers, partly due to an upheaval in the system British libraries used to purchase their books and partly due to its popular appeal. Roundly condemned by critics for Corelli's moralistic and prosaic style it nonetheless had strong supporters in Oscar Wilde and various members of royalty. Widely ignored in literary circles, it is increasingly regarded as an influential fin de siècle text. The book is occasionally subtitled "Or the Strange Experience of one Geoffrey Tempest, Millionaire".

"Do you know what it is to be poor? Not poor with the arrogant poverty complained of by certain people who have five or six thousand a year to live upon, and who yet swear they can hardly manage to make both ends meet, but really poor,—downright, cruelly, hideously poor, with a poverty that is graceless, sordid and miserable? Poverty that compels you to dress in your one suit of clothes till it is worn threadbare,—that denies you clean linen on account of the ruinous charges of washerwomen,—that robs you of your own self-respect, and causes you to slink along the streets vaguely abashed, instead of walking erect among your fellow-men in independent ease,—this is the sort of poverty I mean. This is the grinding curse that keeps down noble aspiration under a load of ignoble care; this is the moral cancer that eats into the heart of an otherwise well-intentioned human creature and makes him envious and malignant, and inclined to the use of dynamite..."

Excerpt from The Silence of the MaharajahOut in India at a certain English station which was generally admitted to be so cially fast, with that unique sort of fast ness peculiar to anglo-indian life, the leader of the most rapid set was a hand some, dashing woman, known to the irrev erent as Lolly, and to the more orthodox as Mrs. Claude Annesley. She was the wife of Colonel Claude Annesley, of course, but this fact had to be strongly borne in upon the minds of those who were not thoroughly well acquainted with her, be cause at first sight she did not appear to be the wife of anybody. She gave you the impression of being a free lance among women, joyously insolent and in dependent; and the bonds of matrimony seemed to press very lightly on her frivolous, butterfly soul. She was not what one would call positively young any longer, being a trifle over forty, but she was so slim and light on her feet, besides know ing exactly what kind of corsets would give her the most perfectly pliant and svelte figure, that she was generously allowed by _her men friends (though not by her woman rivals) to pass for being still in the early thirties. She went in thoroughly, too, for all the newest methods of skin treatment and succeeded in pre serving a fresh, and even brilliant, natural complexion, despite the heats of India. She was tall and brown-haired, with dark eyes which had a sparkle of the devil's own mischief in them; she had very white, even teeth, and could smile bewitchingly.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This book, "The young Diana; an experiment of the future", by Corelli Marie, is a replication of a book originally published before 1918. It has been restored by human beings, page by page, so that you may enjoy it in a form as close to the original as possible. This book was created using print-on-demand technology. Thank you for supporting classic literature.